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Methodology

The methodology of this research is grounded in a practice-based approach, where the creative process and the resulting artefact—'Sister Drum'—are central to the generation and analysis of knowledge. This framework aligns with the research objectives, facilitating an in-depth exploration of production design elements that contribute to the construction of a Chinese folklore horror aesthetic, and how these elements can be employed to portray oppressed female figures.

 

The research commenced with an intensive examination of Chinese folklore and horror. This stage involved dissecting a plethora of myths, legends, and cultural narratives, with a particular focus on the visual tropes and motifs that resonate within the genre. The study extended to analyze the contributions of esteemed Chinese artists and filmmakers distilling the essence of folklore horror into identifiable design elements that would inform the subsequent practical application.

 

Building upon this theoretical foundation, the exegesis transitions into a meticulous evaluation of the practical techniques and strategies orchestrated by the production design team. This evaluation encompasses several key components:

 

Set Design: A thorough dissection of the decision-making process behind location selection, the crafting of set pieces, and the deliberate application of colours and textures to invoke an authentic historical ambience and atmosphere befitting of Chinese folklore horror.

 

Prop Design: An in-depth reflection on the prop design process, emphasizing how prop elements not only complement the narrative but also imbue the setting with a tangible sense of credibility and depth.

 

Costume Design: An investigative look into the amalgamation of cultural and historical research that underpins the costuming choices, particularly how these choices aid in the visual representation and development of characters within the narrative.

 

In aligning the methodological approach with the research aims, this practice-based exploration serves not only as a creative attempt but also as an interrogation of the interplay between design and storytelling. The methodology is thereby tailored to not only conceive a distinctive visual style but also to critically evaluate its effectiveness in narrative portrayal, pushing the boundaries of production design within the genre.

 

3.2 Methods

 

The research is situated within the framework of practice-based research, where the creation of the 'Sister Drum' project serves as the primary artefact through which theoretical concepts are applied, explored, and evaluated.

 

The methods were:

 

a. Theoretical Research:

Comprehensive literature reviews were conducted, examining existing texts on Chinese folklore, horror genre characteristics, and production design theory. This provided a historical and cultural foundation upon which the artefact could be developed, ensuring that the visual style was both authentic and innovative.

 

b. Practical Application:

The development of the 'Sister Drum' artefact itself acted as a form of data collection, documenting the practical application of theoretical knowledge. Each decision made during the creation process—from the set design to costume and prop creation—was recorded, reflected upon, and analyzed.

 

c. Reflective Practice:

Continuous reflection on the creative decisions and outcomes of the 'Sister Drum' project, evaluating their effectiveness in addressing the research question.

© 2023 by Lufan Shi

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